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Posts Tagged ‘movies’

OK, people, this post is purely for fun and just because we are those kinds of people. We love to quote movies, and “Star Wars” and “Princess Bride” are some of the best of them all to quote (well, particularly “Princess Bride”). This little post is the result of a little riffing our family did while driving. Sit back and enjoy, and if you like, email me with suggestions and I’ll make some more mashups.

Inigo and Darth

 

 

 

 

 

 

Six fingers

 

 

 

 

 

 

as you wishr

 

 

 

 

 

 

 

guide my sword

 

 

 

 

 

 

 

 

 

 

 

mask

 

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Warm BodiesSo I recently read Warm Bodies by Isaac Marion, after I’d seen the movie — twice (my teen daughter and I went to see it and then I took my husband for a date night too, since I’d ascertained he’d enjoy it). I was so thoroughly charmed by the movie, by the sweetness of the characters and the love story and the really clever witticisms sprinkled throughout that I was happy to see it in the theater twice. It was particularly a welcome good movie in the midst of what’s usually a film wasteland in January/February.

Naturally, as an avid reader, I had to check out the book. I downloaded it on my Kindle and set to it. I was dismayed primarily to find that there was A LOT of language in it (about 40 f-words: yikes!). But I also found it was a bit harsher and less “innocent” than the movie: the characters were more jaded, the dad really wasn’t a good guy even underneath his protect-everybody toughness, and it just didn’t have quite the level of sweetness and charm that I loved about the movie. Now, some people might find that welcome; I didn’t.

I can only think of one instance in which a movie was better than the book: the horribly cloying, simplistic and poorly written Bridges of Madison County was much better in film version, at least with two talented actors. I might be able to say the same for a couple of Nicholas Sparks movies, which weren’t too bad considering I really dislike his writing (I’ve already mentioned THAT).

I have yet to see “Beautiful Creatures,” but I’m guessing I may very well enjoy the movie better than the book, because I didn’t think the book was great. The supposedly intense love story lacked the sizzle and zing it should have had, and the details of the plot didn’t always come clear as they should. With the acting talent in the movie, I’m thinking it’ll be more enjoyable than the book was. But that’s just a guess.

So I’m going to be eagerly awaiting the DVD release of “Warm Bodies,” whereas I won’t be rereading the book.

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Over the past few years, it has really struck me just how strong the power of a story is.

But really, most of us just take for granted how surrounded we are by stories, how they can captivate us, ensnare us, direct us and shape us, without our even realizing that it’s happening.

Of course, as a dedicated reader (and editor and writer), I love to be willingly captured by a good story, whether it’s one that’s been spun completely out of someone’s imagination or one that’s based in reality and been tamed just enough to be put down in words. I’ve come to realize how difficult it is to extricate ourselves from a story once we’ve stepped inside of its boundaries. The story could be shared via any medium: books, film, television, or any other kind of art.

Have you ever noticed that even if you’re watching a movie or reading a book that’s even just mediocre, it’s challenging to walk away? (I can detach myself from a story that’s really poorly told, however.) Something in us yearns to know “the rest of the story.” It’s so against our nature to not find satisfaction in completion. We must know how the story plays out ’til its bitter end.

What’s even more entrancing is to find ourselves enmeshed in stories within stories. One recent example that had me absolutely mind-boggled was the movie “Inception.” There were so many stories layered inside of each other that I wasn’t even satisfied completely with one viewing; I had to go back and let my mind wander those strange passages several times so I could really follow the stories and how every detail fit together. I absolutely adore complexity. And surprises. (I’ve written about that already in my post on gothic tales.)

But books and movies don’t by any means hold a lock on story. Our minds always create stories for us. We lay down memories that are ordered in some kind of story format. We consciously and unconsciously create stories to make sense of information we run across. Yes, story-making is hardwired within us. Some people are just skilled at weaving the stories within them for others’ consumption, but they are not the only storytellers. I recently loaned some of my favorite books to a friend, and she very kindly extricated some wonderful quotes from the second in the set, Carlos Ruiz Zafon’s The Angel’s Game. One goes like this: “Everything is a tale. … What we believe, what we know, what we remember, even what we dream. Everything is a story, a narrative, a sequence of events with characters communicating an emotional content. We only accept as true what can be narrated.”

Yes, story is a powerful thing. It can be dangerous; it can be liberating; it can be instructive. It has the power to move people to action, for good or evil.

I just thank those people who have the gift to create and shape stories and share them with me. I think that’s why books are so beloved, and why even writers pay homage to other writers and to the written word itself. Books and the stories in them can transport us and change us, so much so that they come alive themselves. As Zafon also writes, “As long as there is one person left in the world who is capable of reading [books] and experiencing them, a small piece of God, or of life, will remain.” Thank goodness for that!

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Those of you who have paid some attention to my biographical information (if not, take a look at “about”) will know that I run a book review website, Rated Reads. There are quite literally thousands of blogs out there that review books. What there are not nearly so many of are websites that try to provide information about the content of those books reviewed. I have been a book reviewer for probably 15 years now, and I’d say I have done it as “professionally” as is possible; I’ve written for newspaper book pages for all that time, I was the book page editor for one newspaper for a couple of years, and I’ve been a member of the National Book Critics Circle for probably 10 years. So I’d like to feel that I know a little something about book reviewing.

Since it has been well known among my acquaintances what I do in the reading sphere, many people have asked my advice on books, from all kinds of angles. What I concluded some years back was that there was a hole in available information out there about book content. I am a Christian and have been raised in particular being taught that it is wise to avoid using vulgar language or watching movies or TV shows with vulgar content, so it follows that I would want to avoid books with vulgar content as well. And those friends of mine who came from a similar background would often ask me what kinds of books I’d enjoyed that were also mostly “clean” when it came to content.

But there are no ratings systems available for books. There are many reasons for this, but the hole in available information remains nonetheless. I just thought I could do my part to fill in that gap, just a little bit. So I started Rated Reads four years ago. I’ve noticed now more blogs devoted to a similar objective: to just provide some information about book content to readers who care about sexual scenes, violence and offensive language. Some out there in the world today may criticize the movie or TV ratings systems or think they’re silly, but I think most people understand and agree that they have value in providing information that allows viewers and parents of under-18 viewers to make better decisions regarding what they watch. So I would think that logically most people would agree that having information available in a similar fashion for books would be desirable and welcome.

The naysayers have generally left Rated Reads alone. There have been a few occasions, however, when an individual who doesn’t share my values or the values of those who use the site or simply doesn’t appreciate that anyone in the world might have different values than he or she has makes disparaging comments about what I and my reviewers are trying to do. In those few cases, I have gently reminded those commenters that the site exists to provide information for those who would like to limit offensive content in what they read. They can disagree, but some people value what Rated Reads is trying to do.

As a reader, I find it laughable that some writers and readers continue to insist that, in order for their work to be “authentic,” it must contain graphic material. I think that there are a few occasions that this is actually true, but it isn’t true for nearly the number of occasions it becomes a sticking point. Writing about and for teenagers tends to get the most attention here, for some reason.

Let me just say this: I was a teen once. Yes, it was 25 years ago, and yes, it was perhaps a slightly nicer time in which not quite every scary or bad or dangerous or vulgar behavior was out in the open, and media reflected that. (An example: I distinctly remember the big fuss over George Michael’s song “I Want Your Sex.” Some radio stations simply would not play that, so there was a version called “I Want Your Love.”) Today, I am of the opinion that pretty much everything is now out in the open, rather than hidden behind doors, spoken of only in whispers. But I heard bad language when I was growing up; I heard sexual references. So I remember what it was like to be a teen and to hear and see things.

I can also say this: I have two teens. My oldest is almost 16, and she talks to me about everything. She is bombarded by vulgar language and talk about all kinds of dangerous and sad behavior. And even though, technically, students aren’t supposed to be allowed to use vulgar language at school or in the classroom, teachers have mostly given up on trying to reprimand or give any consequences. So my very tender, gentle and sweet child constantly hears peers using “f-” this and “f-” that and sexual language and all kinds of things that she simply doesn’t want to hear. (She doesn’t have a lot of choice in what she hears in class or in passing, but I will make clear that she does have a choice what she hears from friends. She has chosen friends who are like-minded in that they don’t use bad language, and if she does have friends or classmates with whom she interacts regularly who are inclined to use bad language, she has politely asked them to refrain from using it, and they have always graciously tried to honor her wishes because they like and respect her.)

So when it comes to media, including movies and books, yes, I can wholeheartedly agree that “reality” is not pretty in many respects. But just because some teens, or even many teens, are involved in dangerous behaviors or use vulgar language doesn’t mean that ALL do. My daughter has plenty of friends who don’t have sex and who don’t use rough language. This isn’t she or I being unrealistic or seeing through rose-colored glasses; it is a fact. There are plenty of great teens out there who aren’t having sex or using rough language.

Just as we can choose friends who are like-minded, we can choose media that reflects our values as well. My daughter doesn’t want to hear offensive things at school, so she certainly doesn’t want to come home and deliberately choose to read a book that has offensive material, if there are other options. I want her to have a place that she can feel comfortable, where she ISN’T surrounded by vulgarity. That is our home. And our home’s media options reflect that place of comfort and security. I don’t bring offensive media into our home. It is a sanctuary, as much as is possible, from the world of so-called “reality.” And our home life is just as “real” as what’s going on outside it — actually, more so.

So I appreciate the authors who can craft great works of literature without bringing in some of that “reality.” I’ve read many wonderful books with fully-formed characters who interact in a true-t0-life fashion with each other, with stories that are clever, that are witty, that are wise, that transport me, that make me think, that help me experience places and things I wouldn’t get to otherwise. And those books have felt absolutely real. They’ve been authentic; they have struck a chord in my heart and soul. I love those books and I give thanks to the authors who don’t feel the need to insert offensive material to make them more “authentic.” Generally speaking, I have found that the books that have used lots of strong language and detailed sexual scenes could have gotten their messages across equally well without that stuff. And all too often, those “markers of reality” have been poor substitutes for good writing. I don’t want to read a mediocre work, period, let alone by an author who thinks that inserting lots of nasty “reality” will instantly make it real. Why waste my time with that stuff when there’s just SO much good literature out there, so much I can’t possibly ever read it all?

I know well enough what’s out there, what kind of depravity and vulgarity and sadness exists. I am not so isolated or insulated that I’m completely ignorant. But I don’t have to wallow in filth just because I know it exists. Life is difficult enough for everyone that there’s no reason to choose to bring things into our lives that are filthy or degrading. We all have struggles, we all have challenges to work through. And good literature does reflect that fact. But it also can reflect that we as human beings can triumph over the bad, that we have the strength and the light in us to choose good and to be good despite the difficulties we encounter. And I’m going to choose to read books that don’t bring unnecessary vulgarity into my mind. I’m also choosing to run a website that provides necessary information so others who want to make informed choices can do so.

Readers who don’t agree with me can go ahead making their own choices. That’s fine. But respect that not everyone wants to consciously bring filth into their lives. And authors, if you write books with lots of bad language and sexually explicit material, you must appreciate that not everyone will want to read it (and parents have the right to monitor what their younger children or teens read). Most likely, you’ll have a broader audience if you could limit the offensive material you write into your book. The concept holds true just as it does for R-rated movies versus G- or PG-rated movies. More people do go to see those movies with more “family-friendly” content. They don’t have to be “cheesy” or trite or “unrealistic” just because their ratings aren’t “strong.” There have been some excellent “clean” movies, just as there are some excellent, authentic “clean” books. Consider making your writing the best it can be without using offensive material as a crutch to make it “true to life.” I, and many other readers, will thank you for it. Profusely.

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I am not sure why I am even attempting to broach such a huge and important topic, but since I am often ambitious and stubbornly determined, despite my limitations, I am going to try to at least put in a few words and opinions about this subject.

Jennifer Lawrence plays Katniss Everdeen in "The Hunger Games." Credit: Lionsgate/Murray Close

The recent uber-popularity of the book and movie versions of The Hunger Games has brought this topic to mind yet again. I think it is vital that as a society we seriously consider the issues of the kinds of content we view, hear and read in the media, whether it’s TV, movies, books, music or video games. There is a lot of research available about these issues, and there are definitely people who are concerned about these topics, but I think it still bears discussion. Since I have this blog as a forum, I’ll bring it up here.

First, I think it’s safe to say that the media we view/read has gotten steadily more detailed and explicit over the years as a whole. Sure, there have been incidences of movies or books years ago that were heavily sexualized or violent, but I think that overall, more and more of the things we see have become filled with content that could be offensive or outright dangerous. I know I have read about studies that link violent behavior with the levels of violent content viewed in movies or video games, but I won’t attempt to find them or list them here. I’ll leave that for others. This is just a blog post. I’ll talk about my feelings and experiences.

I was raised not watching any movies that were rated R. I also was raised by a father who was a television director. He worked in the TV industry and then moved on to teach about it as a university professor. He and my mother both were sensitive to the ways the media influence us and were somewhat cautious about what we watched, and when we did watch TV and movies, we often talked about them. We even talked about commercials and what messages they were giving. On the other hand, for example, my husband grew up watching R-rated movies, plenty of stuff that was filled with violence and bad language, and didn’t really give it much thought until we were married. So I find it interesting to compare how we react to things we watch.

When I see a film that contains violence, each violent act strikes home to me, and I feel it. I particularly feel affected by the portrayal of just plain evil characters. I appreciate good acting, but I never cease to be bothered by really effective portrayals of characters who are purely wicked, whose sole intent is to cause pain and suffering in others, whether it’s for gain or purely because they enjoy seeing someone else suffer. That feels all too real to me, and I would prefer not to experience that. I often don’t see the point of having to portray those kinds of people or the point of my needing to see/feel it. I flinch and cringe away from the screen. My husband, on the other hand, doesn’t seem to be as affected as I am. I feel it personally, and he views it as just part of the plot of a fictional story.

I know that how much violence we see affects how we continue to experience it. The more violence viewers are exposed to, the less it bothers them. We can actually have our feelings numbed, where difficult images don’t disturb us anymore, if we see a lot of violence. I worry a great deal about people, young men in particular, who are constantly exposed to strongly violent images and acts via movies and video games. It changes their very natures, so they are no longer bothered by acts that should be bothersome. That inevitably translates into real life in some way or another.

Now, I’m talking mostly about what might be termed “gratuitous” violence. Violence, as well as sex and strong language, have become a normal part of many movies and other media. But often they are simply there to “entertain.” I simply do not find those kinds of content entertaining; I find them offensive and soul-scarring. But there are times I think that violence has an appropriate place in media. Good literature and film and other media help to show us how life works and what happens sometimes, to remind us of history and how not to repeat it, for instance, or to remind us about how bad human nature can be and how to overcome our basest natural inclinations. So the question is, how much detail do those “good” media instances need to contain to be effective in their aim? How much evil needs to be shown to remind us to do better, be better, in some way, as individuals and as a society?

The Hunger Games has struck a chord with friends of mine, for instance. I’ve been interested to see what various friends have had to say about the books and the movie. Some have wholeheartedly embraced the positive messages of the series and what it seems to aim to do and say, even just sitting down and reading the series in one big marathon. Some have appreciated what the books are trying to do but have still felt the violence was too intense, too detailed, unnecessary. I already mentioned in my post about the movie and book that I liked them overall but felt that I could only read the books in small doses, not three right in a row, because they are so intense. I just couldn’t swallow them whole, all three in one sitting, without a break of lighter fare. I respect and find interesting and valuable the views of all my friends who have weighed in on the topic. I think that in the case of this series, it’s a valuable book series and movie, but it’s important to know yourself and what you’re comfortable with.

Some people may truly have been numbed by watching lots of other violent fare over the years, so they aren’t as sensitive; some people may just be more sensitive naturally, whether they’ve been exposed to much violence in media or not. In the case of Hunger Games, parents should be careful about knowing their children who might read the series or watch the movie to judge if it would be a good fit for them. But they shouldn’t just abdicate making any judgment on the matter because the movie and books are just so popular and “everyone” is reading/seeing them.

I think another movie and book series that bears discussing here is the very popular Stieg Larsson series, starting with The Girl with the Dragon Tattoo. As a book reviewer, I had an opportunity to read this book when it first came out, and I read the flap and decided it just wasn’t something that would sit well with me. I wondered about it later when it began getting a lot of buzz. After some more investigation, I still concluded that it wouldn’t be something I would enjoy. Then, with my website, I still needed to have a way to provide guidance to readers also trying to decide if the book would be a good fit for them. Finally, someone who reviews for me read the book and was able to give it a rating. She confirmed what I’d heard, that the book was filled with many explicit, disturbing scenes of sexual violence against women. She also linked to an article online I found very useful in giving more insight.

In some ways, I want to leave judging to individuals, to let them make their own decisions about how certain content might affect them. But at the same time, I find it profoundly disturbing that so many readers are embracing these novels. I asked one blogger last week who said she is a Christian what she felt about this content, as she proclaimed how much she enjoyed the Stieg Larsson books. She said, in short, that since Larsson doesn’t “endorse” the assaults, and “warns against” this kind of violence, that she was OK with the content, even though it was very difficult to read.

I found that to be really interesting. I think that is where we all have to make some kind of a judgment on any violent content; is it important to include it if it sends a message? I think so. I think an even more important question is, however, how detailed and explicit should that content be to be able to get across the message? Is it necessary to have multiple scenes of extreme violence, even misogyny? Does the negative impact of a reader (or movie viewer) experiencing that kind of secondhand assault get outweighed by the positive impact of sending a message that these things happen and are wrong, and that we can do something to prevent these acts?

Again, I’d like to say that in most cases, individuals should be able and encouraged to decide for themselves what will be best for them. I created Rated Reads for that very purpose, to give readers extra information so they could judge more accurately for themselves what they would find acceptable, given their own sensitivities and sensibilities.

But on the other hand, I think there truly are cases where too much is simply too much. That doesn’t mean censorship; I would never say that a book shouldn’t be published, period, because of its content. But it does mean that there should be warnings; there should be more information easily available to readers about what they might be facing in picking up a book. There should definitely be some lines drawn about what can be made available to readers who are younger than 18, much like R-rated movies are restricted to younger viewers. I would like to see less gory, explicit and gratuitous violence in movies and video games, as well. I just don’t think enough is being done to limit that violent content that can truly numb sensitivities and even affect violent behavior.

Unfortunately, I don’t think there’s much we can do to limit things in our free-speech society. But I think it’s important for us to talk about these ideas and be more aware of the damage that can be done by a steady diet of violence, or even an occasional sampling of “unnecessary” violent content. Obviously, we all are going to have different ideas of what constitutes the “right amount” of disturbing content or which messages are truly beneficial to remind us of truths about humanity and what’s happening in real life. I already have made clear I am pretty sensitive to violence and have a low tolerance, so I might have a much shorter list of books or movies I think are important for people to see (BUT at the appropriate ages and maturity levels) than others. But let’s make this a national conversation and be more aware of the effects of what we and others in our society are seeing.

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… because I have to weigh in.

I tend to hear about many books that end up being “hot” early in the game thanks to all the ways I stay connected in the publishing world. In the case of The Hunger Games, I heard about it on Stephenie Meyer’s website. I have found that Ms. Meyer has quite good taste in books. She talked about Suzanne Collins’ eventual blockbuster on her website when the first book came out, and I ran out and bought a copy. (She also recommended a fantastic “duo” of books starting with Dreamhunter, which I really liked as well but which isn’t the phenomenon that The Hunger Games has become; in fact, I’ve run across no one else who has read it.) I was thoroughly impressed by the fascinating premise and by the skilled execution of the great idea. I think a lot of what got my attention was the idea that in some messed-up future, the most horrific of survivor reality shows would be enacted. I’ve never been a fan of pretty much any reality shows on TV, preferring well-written, original scripted programs whether they be comedy or drama, so I thought it was brilliant to take our current society’s obsession with the cheaply-produced stuff that passes for entertainment to its gory and worst-case conclusion.

Elizabeth Banks and Jennifer Lawrence star in "The Hunger Games." credit: Lionsgate Films/Murray Close

Of course, since I read the first book when it was newly published, I had to wait a year for Catching Fire. As it happened, I ended up putting my newly purchased copy on a shelf and holding on to it for a year until Mockingjay was published. At that point, I then had two fresh, unread copies of the rest of the series, but it had been two years since I’d read the first book. That meant that I had to reread The Hunger Games so I could refresh my memory. Since the books are so intense, I still had to take a little break between reading the second book and then the third, reading one or two other books in between. From what I hear, this is unusual; everyone else I know, including my husband, who isn’t a BIG-time reader, just sat down and gulped the books down in practically one sitting, reading all three straight through. For me, I just needed to take a step back from the violence and, well, sadness. Either way, though, I was gripped by the story and how it unfolded. I liked how it showed people’s resilience and the need to rebel against an oppressive government. Collins had a wonderful idea for the books and then just showed great talent as a writer in taking the story through to its conclusion. I knew that she wouldn’t tie everything up neatly in a bow and that there wouldn’t be perfect happy endings for every character; I could tell, as most readers probably did, that this would be a gritty, more “realistic” set of books, with messier but mostly true-feeling plot lines. Some were shocked by how she finished the series, but I didn’t find myself completely taken aback or annoyed by it. It worked for me.

Now that I’ve had an opportunity to see the movie adaptation, I can say I’m very satisfied. Books turned into movies can be generally very un-satisfying propositions, so to be able to attend this film and say, “Wow. That was really well done” was a happy ending for me. I wasn’t terribly pleased with the first several Harry Potter film adaptations, feeling that although they did bring to big-budget life main plot points of the first books, they somehow lost a lot of the “feel” of the books. Part of what I loved about J.K. Rowling’s writing was not just the complex world and plot arc over seven books, but the whimsy. They are so clever in the names and in all the little non-crucial, witty touches. They made me laugh. The movies just didn’t do that at first. They felt lifeless. And Twilight… that’s a whole other story altogether.

So I was pleased with the movie because it completely captured the feel and tone of the books, the harshness of the regular citizens’ lives and the hopelessness, and the barbaric nature of the Capitol’s Games, carried out with such pomp and calculated publicity every year, even as 24 teens were brutally encouraged to leave behind their humanity and kill each other to survive, just to go back to their bleak lives.

The acting was superb and the script was deftly adapted. A movie really is a different animal than a book, and much as book lovers hate it, movies must make changes as the story goes from one distinct medium to another. I love good films (my dad taught me how to appreciate the classics), and I enjoy seeing how a director and all the other skilled people who contribute to a film really bring out the best in a story using all the tricks up their sleeves. For instance, the fact that there wasn’t much music in the film was a method that contributed to its tone. When music was used, it was spare and simple, echoing the story lines.

I think what I most appreciated, though, was that the visual nature of film really struck home to viewers the messages of the story even more than the book. The book tells us about totalitarian regimes and what governments do when they have too much power; it tells us about how people still can’t keep their eyes off of watching others fight and suffer, even in larger-than-life color (the rubbernecking, train-wreck mentality). It showed us the obliviousness of the people living in the Capitol to the real lives of the rest of Panem’s citizens. The movie, though, because of its very nature, really made me think about how silly and superficial those in the Capitol were, how they pranced about in their lives of ease and wealth, wearing their ridiculous clothes and crazy makeup and hair, not caring at all that people in their own country were mostly poor and always hungry and struggling. The Hunger Games were really just a game to them, a spectacle. It was disturbing and made me realize yet again how absolutely wealthy I truly am compared to so many people around the world, and so many of us here in the United States are, but even so, most of us complain that there are still others richer than we are, rather than thinking about the many who are poorer. We go around getting plastic surgery and Botox and spend ridiculous amounts of money on electronics and fattening fast food while others are struggling just to have something to eat. We sit in our comfortable living rooms watching big-screen TVs with scenes playing out of “reality” that’s not at all real: people pretending to love each other and women fighting each other for the “love” of one superficial guy, other people supposedly using survival skills to “win” on a remote island that’s been rigged for the show.

I was nervous about the violence of the movie, since the books truly are about violence. I will just briefly say I was pleased not to be too overwhelmed by violent images. The issue of violence in books and movies in general is something I find really interesting and important, but that will be a topic for another day. Suffice it to say for now that I enjoyed both this book and its movie version, and I was pleased that it made the leap between mediums in a satisfying manner.

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