This author is on fire!

I admit I enjoyed reading the Twilight books. No, they’re not great literature or written with great skill. But they were a lovely escape, and I had fun. There. But I’ll give this to Stephenie Meyer: she has a great imagination and is truly a good storyteller (this comes even from her own mouth: she’s said she’s more a storyteller than she is a writer). She is also a fine judge of other books. Five summers ago on her website, she recommended the now ridiculously popular The Hunger Games. I went out and read it and found it fascinating, thought-provoking and gripping. Most everyone else seemed to agree.

But she also not too much later recommended a fine “duet” of books by Elizabeth Knox called Dreamhunter and Dreamquake. I went out and got those at the library and found myself utterly transported. The books had such an interesting premise: in a slightly different world than ours back in the early 1900s, an area appears which only certain people can enter. Those people can go in to this area, lie down and sleep, and “catch” dreams, which they can then essentially “broadcast” to a sleeping audience in a dream theater. Interesting idea in itself. But what became even more fascinating was the mystery of why the Place came to be in the first place, and if it has some kind of purpose. By the time the whole reason behind the Place is revealed at the end of the duet, after two wonderfully rich and complex books that were a little dreamlike themselves, I was absolutely blown away. It’s so satisfying as a reader to see bits of a mystery come together magically and then just be solved. But this also had such a powerful poignancy to it that I felt my heart seize up a bit. And the setting and tone, the whole feel of the books, was superb. Original, so real, so powerful.

Mortal FireSo I was thrilled to find out a couple of months ago that a new novel was coming from this superlative author, Mortal Fire. I let myself dip into the waters of this new book and its setting and feel, relishing the opportunity to visit Knox’s world again (this book is actually set in the same general place as the other two but 50 years later, and it’s mostly unconnected with the plot of those books, so it’s not necessary to read them first). But as I continued reading and the plot thickened, I found myself gobbling it, not able to put it down. I just rushed headlong to the end, and it was just as satisfying. What a fascinating premise! What a cool way of weaving the threads of story together and making it all make sense at the end! And the setting: again, just so vivid. I came inside (after sitting outside alone reading for two hours) just babbling about how much I loved the book. And a few days later, I still feel the rush of the thrill of discovery and the power of how it all hit me, not just in how it sent my mind spinning, but how it struck me smack in my chest.

What’s interesting to me is that all these books were recommended by Stephenie Meyer, but I haven’t heard a peep about Knox’s from other readers, whereas The Hunger Games became pretty much ubiquitous, not quite annoyingly so. Sometimes I wonder why these outstanding books don’t get more attention. (I think this is also the case with Susan Cooper’s The Dark Is Rising. I am always surprised at just how many of my well-read friends have never even heard of this series, let alone read the five books, either when they came out when I/we was/were young or now.)

At any rate, Elizabeth Knox, you are amazing. I don’t lavish praise on many authors, but you have joined the elite list of authors who really impress me. I hope more discerning readers discover your books.

Review and thoughts on ‘Heaven Is Here’

It’s funny; I simply don’t read a ton of “inspirational” books; I do read memoirs and biographies on occasion as part of the wide mix of things I do like to read. But I don’t read a lot that’s really intended as inspirational, except for some official religious/church books, which I consider more reading for spiritual/religious purposes. So it was a little unusual for me to decide to read popular blogger Stephanie Nielson’s Heaven Is Here. And the main reason I did read it is I wanted to include it as part of my overall research into the topic of beauty and self-image, which I blog about sometimes here; in this case, I was curious to see what she had to say about how she felt about her appearance after a horrific plane crash that burned 80% of the skin on her body.

It’s also an interesting and different experience reading a book by a Mormon written for a general audience. As a member of The Church of Jesus Christ of Latter-day Saints myself, I’m very used to the Mormon culture and way of talking and thinking about things, and I’m used to listening to speakers and reading books by Mormons aimed at other Mormons. But it’s rarer to read something one of “my own” has written that will be read mostly by people who aren’t familiar with some of our terminology, beliefs, and culture.

That said, it was such a fascinating experience reading this book. It actually elicited all kinds of interesting feelings and reactions as I went along. I will admit that we Mormons tend to have some interesting cultural quirks that may seem unusual to others; we marry young, for instance, typically after very short courtships, and have more children than the average. Some of our cultural quirks are particularly pronounced in the state of Utah and a few other pockets of concentrated Mormon population (note: I’m not a “Utah Mormon”: I grew up East of the Mississippi and only lived in Utah when I went to Brigham Young University). So it wasn’t surprising to me to read that Stephanie married at 19 after less than a year of knowing Christian Nielson. Or that she started having babies right away. Or that she was just thrilled at that young age to just get started with being a stay-at-home mom. At the same time, even though it was familiar territory, it was still different from what I chose to do (marry at 23, get a college degree, have first child at 26, work part-time off and on and freelance while raising kids). And there’s still just enough of cultural expectations and a kind of cultural divide that those (what outsiders may consider slight) differences just kind of grate a little somehow sometimes.

Nielson starts with telling about her very large, happy and tight-knit family in Utah and her fairy-tale courtship with Christian. She lays the groundwork of her happy, idyllic life before she moves on to the plane crash that changed it all — well, temporarily. No matter how you look at it, not everyone (well, rarely anyone) has that kind of idyllic upbringing, love story or marriage. And that’s OK. Even in our church, unmarried young people and adults are reminded not to expect an “easy” and “obvious” courtship that leads to marriage. Sometimes it is not clear if the person you’re dating is “the right one” (itself a myth). You mostly have to make sure you date good people and then choose wisely, marrying someone who has solid good qualities and should make a good partner. The answer is rarely written in the stars or with fireworks. And most of us know that idyllic families happen far less often than we’d like. (We can’t change our own upbringings, let’s just say, but we can do the best we can to provide our own children with solid, happy homes.) So reading about Nielson’s happy-happy-happy life can honestly make one feel a little over-sugared.

But knowing going into the book what Nielson is going to experience makes that early part of the book palatable — it’s all too clear that she’s going to need every ounce of strength, idyllic family support system, and reserves of happiness and faith that she has stored up to be able to survive the ordeal that she does go through. Heaven Is Here doesn’t necessarily provide many details of the plane crash or the injuries she sustained, but it definitely shares the emotions she went through after the crash — the story is no longer idyllic. Nielson is painfully honest about her fears, her anxiety, and the many scary feelings she experienced in the months after she woke up from the 10-week medically-induced coma in which she stayed shielded from unbearable pain. She had support from family, but she often felt alone, and she wanted to shield herself from even many of her own loved ones and friends. She was scared of how people would react to her, how she looked, how she felt, how her life would never be the same. She was scared of having to face a new life, one that stood in stark contrast to her “before-crash” idyllic one. The bulk of the book, then, allows us to see inside her mind and heart, as she struggles and wants to stay in a cocoon but finally knows she must gradually burst free and move forward, as difficult as it will be.

As much as I felt some reservations and knee-jerk reactions to her pre-crash account of life, I couldn’t help but be tremendously moved and, yes, inspired, by how she lived after that crash. I loved her honesty about all of the moments she had that were not supposedly inspirational. Because that’s what lent reality and depth to all that was truly uplifting. It felt authentic. She was able to do what she’d set out to do: give hope to readers and show that life is beautiful, particularly when filled with love. And a perfect body or perfect face has little to do with that. For all that, I was grateful to have read her story.